One Blood One Village is a manifesto for interdependence. Through the lens of prophecy turned praxis, it envisions Africa as the world’s body, the diaspora as its nervous system, and the village as its beating heart. What begins as revelation becomes instruction: to rebuild, to remember, to act. It is both requiem and roadmap — a testament to collective memory, radical interdependence, and the unbreakable architecture of love.

A raw, spiritually charged reckoning that exposes how prophetic gifts—especially within Black communities—have been demonized by fear, colonization, and religious control. This piece reclaims the power of ancestral intelligence, Afro-Caribbean spiritual traditions, and embodied knowing, while challenging those who mistake divinity for danger. It is both a remembrance and a return: to the oracle, to the altar, and to the voice that never needed permission to speak.

An exploration of the afterlife of ancestral sound, Redemption Song explores the spiritual legacy encoded in music, memory, and resistance. It’s instruction. A portal through which song becomes strategy, and remembering becomes action.

Where Are You Landing traces the intelligence of movement, memory, and return. It speaks to those who navigate by ancestral instruction—who move with timing shaped by memory and arrive where recognition meets readiness.

This is presence as power.
This is motion as method.
This is home as alignment.

At five years old, I watched a voodoo priestess enter my kitchen and awaken something in me I’d never forget. My mother called it imagination. But my body knew better. There Was a Dead Chicken in the Middle of the Kitchen Floor is a visceral, poetic remembrance of ancestral power, psychic inheritance, and the kind of truth that can’t be silenced—even when it’s denied.