A manifesto exploring what happens when sacred Black and Indigenous traditions are filtered through digital algorithms. It makes the case for ESSOESS—not as content, but as cultural memory and spiritual architecture.

An editorial on the rise of self-ordained spiritual leaders and the commodification of sacred work. It unpacks the dangers of spiritual bypassing, the beauty of slow mastery, and the responsibility that comes with being truly called.

“Before queerness was politicized, it was priesthood.
Before it was punished, it was power.”

The Holy Ghost Is Trans journeys through ancient gender roles, suppressed spiritual truths, and the emergence of sacred digital sanctuaries. This essay honors the wisdom of those who live in-between—and reveals why their light is essential to the future of the sacred.

White Sage, White Spaces is a personal essay examining the silencing of Black voices in spiritual communities that profit from Black and Indigenous traditions. It reflects on what it means to carry memory in your blood while being treated as a guest of your own ancestry—and why true healing must include truth, accountability, and representation.

What happens when a child with psychic sensitivity is exposed to adult energies too soon? This essay explores the psychic–sexual connection, Black girlhood, trauma memory, and the slow, embodied process of returning to truth on one’s own terms.

At five years old, I watched a voodoo priestess enter my kitchen and awaken something in me I’d never forget. My mother called it imagination. But my body knew better. There Was a Dead Chicken in the Middle of the Kitchen Floor is a visceral, poetic remembrance of ancestral power, psychic inheritance, and the kind of truth that can’t be silenced—even when it’s denied.